Wednesday, February 25, 2009
The following post has the lead story for Carnaval and we just added this one to be able to put up some additional videos.
We got back to Rota and I squeezed some video so that I could upload it and then - no internet. The business that sends a free wifi signal out to the harbor for some reason turned it off. So we are back to hiking up to a restaurant or the library. This will cramp our Facebook activities quite a bit. Expect a little more time lag in our response to emails. Here is a video of the crowd in Plaza Mina. By this time it was early morning and we had gotten some exposure by playing flamenco for some of the groups. Then they all wanted to sing!!! We found that different groups were competing to have us in their group by feeding us drinks. Oh well, maybe one more..... Here they are:
Here is an earlier video of the Plaza before we had "introduced ourselves". Some of the costumes are store-bought and others are hand made. There is a big tendency for groups to dress all alike rather than to a theme with each creating their own costume....reflecting Spain's bigger emphasis on groups.
Notice that lots of fun is being had. Lots of drinking going on, but no problems. Here are some mug shots:
See the next post for more detail....
Wednesday, February 25, 2009
Sunday, February 22, 2009
Carnaval en Cadiz
Sunday, February 22, 2009
If you've been to Mardi Gras or Carnival in Rio de Janeiro, then you know what this is all about. Many Spanish cities have Carnaval, but few would dispute that Cadiz is the biggest and best. Carnaval activities go on for about a month, but it all comes to a head this weekend. So we reserved a slip for 4 days in Puerto America, the yacht harbor in Cadiz. We sailed over, giving the boat a chance to be a boat for a change and not just a floating apartment. Happy to say, everything worked just fine. It isn't much of a sail - about 6 miles across the bay! But the winds were good and here we are.
We went out Friday night with absolutely no idea what we were going to find. Surprising, the streets were not too crowded and we walked around town until we found ourselves in Plaza Mina. We had been before. Some young people were in costumes and we felt a little self-conscious without one. Since we were hungry, we went to a restaurant, el Madrileño that is highly regarded. While eating, we got to talking with the young owner and he found out about our flamenco connection. So we had to sing and dance a bit and then the party kept getting more exciting as they stopped treating us like tourists and started treating us like honored guests. Our song and dance number really does open doors. We spent hours there and only escaped by promising to return the remaining days of carnaval.
On the way home we passed by the Peña Flamenco Enrique el Mellizo, which we had visited years before. Since there were people inside, we stopped in for a last drink. Well, the last drink lasted several hours more since they had a guitar there and about 8 young people who wanted to sing. We got home at 3:30.
Saturday night we went out again, expecting it to be a little bigger than Friday night. Wrong, it was 10-20 times bigger and EVERYONE was in costume - fancy, creative ones in many cases. Some were purchased, but many were originals. Spaniards are different in that whole groups dress up in the same theme, often with exactly the same outfits. It was hard to get up and down the streets with all the crowds. We wandered around and eventually found our way back to Plaza Mina again. We stopped in the restaurant and the owner telephoned a little old man who used to be a singer. He soon showed up and although he didn't have a big voice, he was still a capable singer. We did a few things with him and then left to see what was going on in the square because things were jumping. The restaurant was so busy that it was better to leave them to fend with the crowds.
Once out in the Plaza, we two were the only folks without costumes, but I had the guitar case slung over my shoulder and a bunch of Hari Krishnas shouted out that I should play something. Oh well, why not? So I played some buleria and Andi danced. The crowd went wild and at the end were screaming and then started chanting "Torero, torero" which is done at the end of a good bullfight. So once we got comfortable, we hung out in the plaza for hours with people feeding us drinks to keep us in their little circle. Photos and videos will follow when we get back to the internet.
I have to comment on the drinking part. Everyone was drinking. It seems the young folks don't much care for beer or wine. They like mixed drinks - generally anything strong mixed with Coke. Everyone had a plastic glass with a drink. As the evening progressed, they were all in high spirits - in various stages of drunkenness. But here is the amazing part. All night long, we never heard one "discouraging word", no fights, no police presence whatsoever. There were 250 police on duty that night, but with 300,000 revelers on the streets, you couldn't find any police. The crowds, while very animated, never departed from friendly fun. When they got good and drunk, they wanted to sing. There were little groups all over the plaza singing in chorus at the top of their lungs. I was thinking, wow, try to get Americans to sing in public! And it seems like in the States, public drinking brings out hooliganism which soon erupts into fights. What a refreshing change.
We eventually made it back to the boat at 3:30 after passing through large drunk but happy crowds and stopping to play guitar for several groups. They love to sing and the guitar just gets them going. So we are feeling very included in Carnaval. Now it's time to go out again.
OK, we're back again. We went out to see public performances of the winners of the big singing competition. A feature of carnaval is the competition for best singing group. These are choruses, usually of men but sometimes mixed, who sing the most fabulous harmonies. The songs are specially written for this event and are topical and witty - sometimes wet your pants funny. All the group members wear the same elaborate costume. Here is one group of maybe 40 or so:
This is an example of store-bought costumes - note built in udders! This is the way we got acquainted. Although we had little costume material on board, we went as Guiri Flamencos and were enthusiastically accepted. This was about the nicest costume we saw anywhere.
If you've been to Mardi Gras or Carnival in Rio de Janeiro, then you know what this is all about. Many Spanish cities have Carnaval, but few would dispute that Cadiz is the biggest and best. Carnaval activities go on for about a month, but it all comes to a head this weekend. So we reserved a slip for 4 days in Puerto America, the yacht harbor in Cadiz. We sailed over, giving the boat a chance to be a boat for a change and not just a floating apartment. Happy to say, everything worked just fine. It isn't much of a sail - about 6 miles across the bay! But the winds were good and here we are.
We went out Friday night with absolutely no idea what we were going to find. Surprising, the streets were not too crowded and we walked around town until we found ourselves in Plaza Mina. We had been before. Some young people were in costumes and we felt a little self-conscious without one. Since we were hungry, we went to a restaurant, el Madrileño that is highly regarded. While eating, we got to talking with the young owner and he found out about our flamenco connection. So we had to sing and dance a bit and then the party kept getting more exciting as they stopped treating us like tourists and started treating us like honored guests. Our song and dance number really does open doors. We spent hours there and only escaped by promising to return the remaining days of carnaval.
On the way home we passed by the Peña Flamenco Enrique el Mellizo, which we had visited years before. Since there were people inside, we stopped in for a last drink. Well, the last drink lasted several hours more since they had a guitar there and about 8 young people who wanted to sing. We got home at 3:30.
Saturday night we went out again, expecting it to be a little bigger than Friday night. Wrong, it was 10-20 times bigger and EVERYONE was in costume - fancy, creative ones in many cases. Some were purchased, but many were originals. Spaniards are different in that whole groups dress up in the same theme, often with exactly the same outfits. It was hard to get up and down the streets with all the crowds. We wandered around and eventually found our way back to Plaza Mina again. We stopped in the restaurant and the owner telephoned a little old man who used to be a singer. He soon showed up and although he didn't have a big voice, he was still a capable singer. We did a few things with him and then left to see what was going on in the square because things were jumping. The restaurant was so busy that it was better to leave them to fend with the crowds.
Once out in the Plaza, we two were the only folks without costumes, but I had the guitar case slung over my shoulder and a bunch of Hari Krishnas shouted out that I should play something. Oh well, why not? So I played some buleria and Andi danced. The crowd went wild and at the end were screaming and then started chanting "Torero, torero" which is done at the end of a good bullfight. So once we got comfortable, we hung out in the plaza for hours with people feeding us drinks to keep us in their little circle. Photos and videos will follow when we get back to the internet.
I have to comment on the drinking part. Everyone was drinking. It seems the young folks don't much care for beer or wine. They like mixed drinks - generally anything strong mixed with Coke. Everyone had a plastic glass with a drink. As the evening progressed, they were all in high spirits - in various stages of drunkenness. But here is the amazing part. All night long, we never heard one "discouraging word", no fights, no police presence whatsoever. There were 250 police on duty that night, but with 300,000 revelers on the streets, you couldn't find any police. The crowds, while very animated, never departed from friendly fun. When they got good and drunk, they wanted to sing. There were little groups all over the plaza singing in chorus at the top of their lungs. I was thinking, wow, try to get Americans to sing in public! And it seems like in the States, public drinking brings out hooliganism which soon erupts into fights. What a refreshing change.
We eventually made it back to the boat at 3:30 after passing through large drunk but happy crowds and stopping to play guitar for several groups. They love to sing and the guitar just gets them going. So we are feeling very included in Carnaval. Now it's time to go out again.
OK, we're back again. We went out to see public performances of the winners of the big singing competition. A feature of carnaval is the competition for best singing group. These are choruses, usually of men but sometimes mixed, who sing the most fabulous harmonies. The songs are specially written for this event and are topical and witty - sometimes wet your pants funny. All the group members wear the same elaborate costume. Here is one group of maybe 40 or so:
This is an example of store-bought costumes - note built in udders! This is the way we got acquainted. Although we had little costume material on board, we went as Guiri Flamencos and were enthusiastically accepted. This was about the nicest costume we saw anywhere.
Monday, February 16, 2009
The peña just keeps getting better...
Monday, February 16, 2009
As you probably know, we've been going to the local flamenco club (peña) every Saturday afternoon for a gathering of the local aficionados. They sing and I play guitar for them. It is much fun and just keeps getting better. We have now created enough of a scene that outsiders are starting to show up to participate. We had several families of gypsies come by this week. One of them from Puerto de Santa Maria had seen me on TV when I played for the flamenco "Oscars". This group had a dad, who played guitar and sang; a mom who sang; and a daughter who danced like you could hardly believe - except that I am going to show you a video.....
We don't even know their names and Negro Agujetas doesn't either. But they joined in on the fun and for the first time, I didn't have to play the guitar the whole time. Last week I played 7 hours out of 12, with the afternoon in the peña and a fiesta later in Chipiona. This flamenco stuff gets pretty tiring, but who's complaining. We all sang and carried on. Andi sang and then got up and danced. Unfortunately, as the guitarist, I can't run the camera too, so you will have to imagine that part. You're probably getting tired about reading about flamenco which I why I'm not writing about near as much as is happening.
We keep hearing about how devastating the economy is back in the States and are kinda glad we're here - at least from an economic standpoint. Of course we miss you all and will be there this summer. But still, don't be afraid to write.
As you probably know, we've been going to the local flamenco club (peña) every Saturday afternoon for a gathering of the local aficionados. They sing and I play guitar for them. It is much fun and just keeps getting better. We have now created enough of a scene that outsiders are starting to show up to participate. We had several families of gypsies come by this week. One of them from Puerto de Santa Maria had seen me on TV when I played for the flamenco "Oscars". This group had a dad, who played guitar and sang; a mom who sang; and a daughter who danced like you could hardly believe - except that I am going to show you a video.....
We don't even know their names and Negro Agujetas doesn't either. But they joined in on the fun and for the first time, I didn't have to play the guitar the whole time. Last week I played 7 hours out of 12, with the afternoon in the peña and a fiesta later in Chipiona. This flamenco stuff gets pretty tiring, but who's complaining. We all sang and carried on. Andi sang and then got up and danced. Unfortunately, as the guitarist, I can't run the camera too, so you will have to imagine that part. You're probably getting tired about reading about flamenco which I why I'm not writing about near as much as is happening.
We keep hearing about how devastating the economy is back in the States and are kinda glad we're here - at least from an economic standpoint. Of course we miss you all and will be there this summer. But still, don't be afraid to write.
Friday, February 06, 2009
I guess this must be my year....
February 6, 2009
I was asked to perform at the flamenco "academy awards". Now flamenco being sort of a cult artform, these awards were not like something major in the mainstream like movies are. But, this was important enough to bring out a crowd of bigname artists - from far away came the ones who were receiving prizes, but also were present all the most famous artists from Jerez (which was where the awards were given out).
There were three acts selected to break up the speeches and presentation of awards. The first was a progressive dance number with a very talented Danish/Spanish dancer, singer, and guitarist doing a most modern dansish thing with smoke generators, etc. But it was very well done. Then came some Jaleos from Extremadura with 4 guys beating out the rhythm with canes while one of them sang. They were good, but nowhere as good as what they did backstage just fooling around. I had to wait until last and had a chance to get good and nervous. I won't even talk about the soundcheck because I know that at soundcheck I always am a disaster and the experience kills my confidence. So finally I came out and started playing a buleria. I started out with the verse I wrote - mas presumido no se ve, un guiri cantando flamenco, por la gente de Jerez - which got them in the mood. Although I had all kinds of technical problems - the 6th string slipped out of the cejilla and the guitar microphone drooped towards the floor - nevertheless the audience was very generous. In fact, Farruquito (a BIG star) was sitting up front and his cheering my on kept me going.
Here is a photo from the Diaro de Jerez, the local newspaper. I was also on Onda Jerez, the local TV station and am promised that I'll get a DVD. I'm not holding my breath.
This shows the room with it's many video screens. Andrea told me that the audience seemed relieved to get something that was just plain pure flamenco which explained their enthusiasm.
Here are the famous artists cheering me on. From left to right, Chicuelo, Farruquito, Farru, Diego Amador, and at the far right, Pele. At the end, the applause was generous and I'm told that some of the people were on their feet. I thought that I hadn't done very well and wasn't looking.
Afterwards there was a big reception with wine and tapas in which we got to smooze with the stars. Here is Andrea with Farruquito.
And here is me with Moraito, a famous Jerez guitarist.
At the end, I was congratulated by all kinds of artists that I had never even met formally, but knew of course very well including: Moraito, Paco Cepero, Fernando Moreno, Fernando el de la Morena, Manuel Morao, Pele, Farruquito, Jesus Mendez, Diego Amador plus a generous assortment of aficionados and journalists. Some were so complimentary that I was actually embarrassed. But a nice kind of embarrassed. Every artist lives for a moment like this, especially one from another country who has no right to be doing this music.
I was also honored that Miguel, his wife, and friends Manolo and Ana came over from Rota to share this with me.
I could put up a video, but I suspect that you've seen enough video of me doing my little thing. OK, due to a large public clamor (of one) - here is the video:
http://www.youtube.com/watch?v=0qKnc26xvF4
I was asked to perform at the flamenco "academy awards". Now flamenco being sort of a cult artform, these awards were not like something major in the mainstream like movies are. But, this was important enough to bring out a crowd of bigname artists - from far away came the ones who were receiving prizes, but also were present all the most famous artists from Jerez (which was where the awards were given out).
There were three acts selected to break up the speeches and presentation of awards. The first was a progressive dance number with a very talented Danish/Spanish dancer, singer, and guitarist doing a most modern dansish thing with smoke generators, etc. But it was very well done. Then came some Jaleos from Extremadura with 4 guys beating out the rhythm with canes while one of them sang. They were good, but nowhere as good as what they did backstage just fooling around. I had to wait until last and had a chance to get good and nervous. I won't even talk about the soundcheck because I know that at soundcheck I always am a disaster and the experience kills my confidence. So finally I came out and started playing a buleria. I started out with the verse I wrote - mas presumido no se ve, un guiri cantando flamenco, por la gente de Jerez - which got them in the mood. Although I had all kinds of technical problems - the 6th string slipped out of the cejilla and the guitar microphone drooped towards the floor - nevertheless the audience was very generous. In fact, Farruquito (a BIG star) was sitting up front and his cheering my on kept me going.
Here is a photo from the Diaro de Jerez, the local newspaper. I was also on Onda Jerez, the local TV station and am promised that I'll get a DVD. I'm not holding my breath.
This shows the room with it's many video screens. Andrea told me that the audience seemed relieved to get something that was just plain pure flamenco which explained their enthusiasm.
Here are the famous artists cheering me on. From left to right, Chicuelo, Farruquito, Farru, Diego Amador, and at the far right, Pele. At the end, the applause was generous and I'm told that some of the people were on their feet. I thought that I hadn't done very well and wasn't looking.
Afterwards there was a big reception with wine and tapas in which we got to smooze with the stars. Here is Andrea with Farruquito.
And here is me with Moraito, a famous Jerez guitarist.
At the end, I was congratulated by all kinds of artists that I had never even met formally, but knew of course very well including: Moraito, Paco Cepero, Fernando Moreno, Fernando el de la Morena, Manuel Morao, Pele, Farruquito, Jesus Mendez, Diego Amador plus a generous assortment of aficionados and journalists. Some were so complimentary that I was actually embarrassed. But a nice kind of embarrassed. Every artist lives for a moment like this, especially one from another country who has no right to be doing this music.
I was also honored that Miguel, his wife, and friends Manolo and Ana came over from Rota to share this with me.
I could put up a video, but I suspect that you've seen enough video of me doing my little thing. OK, due to a large public clamor (of one) - here is the video:
http://www.youtube.com/watch?v=0qKnc26xvF4
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